Catholic News Service
Madea, the familiar, frequently mixed-up, but mostly moral force of nature in a muumuu, has one of her weaker outings in the laboriously titled “Tyler Perry’s Madea’s Witness Protection.”
Perhaps the formula is spent. Certainly, the feisty old gal, writer-director Perry himself, of course, in drag, has lost much of her comic impact, even when she’s applying seemingly undiminished physical impact to get her points across.





