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‘The Lovers’ a ‘lyrical’ look at infidelity but not its damage

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Catholic News Service

To the extent that a thoughtful drama about marital infidelity can be considered lyrical, “The Lovers” achieves that. Writer-director Azazel Jacobs carefully structures his plot to minimize any gaping holes in logic. But he also downplays the extensive collateral damage adultery inflicts.

Debra Winger and Tracy Letts star in a scene from the movie "The Lovers." The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling.  (CNS photo/A24)

Debra Winger and Tracy Letts star in a scene from the movie “The Lovers.” The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. (CNS photo/A24)

Perhaps he wanted to avoid making anyone a villain. Certainly, no one is ever shown to be really at fault. Lacking a steady moral compass, his characters are buffeted by life’s unpredictability.

The story focuses on Michael (Tracy Letts) and Mary (Debra Winger), two doughy, respectable, middle-age empty-nesters, their son Joel (Tyler Ross) is away at college.

Their marriage has, for reasons not explained, sputtered out. Both have taken on lovers.

They seem to be mutually aware of the cheating, but they’re exceedingly polite to each other and still share the same bed. The lethargy that led to their love’s demise, as well as bland domestic rituals, prevent them from actually splitting.

Mary, her mouth a rictus of pain and confusion, has taken up with handsome, younger Robert (Aidan Gillen). Michael, whose emotional outlet usually consists of giggling, is carrying on with Lucy (Melora Walters), an emotionally fragile ballet teacher.

Jacobs keeps his story sympathetic and free of tawdriness by showing that Mary and Michael, numb in their own lives, aren’t particularly good at adultery, either. Thus they find many ways to be both physically and emotionally unavailable to their paramours.

Why Robert and Lucy regard these two as good catches is mysterious. But eventually they both deliver ultimatums. Whatever goes on, it’s never glamorous.

That, too, is one of Jacobs’ points. Love and physical attraction often make no sense, and eventually Michael and Mary find, to their considerable surprise, that their spark has returned. So, in a series of farcical sequences, they end up “cheating” on their lovers.

This lurches on for a spell until a visit from Joel and his girlfriend, Erin (Jessica Sula), sets into motion events which reveal the hollowness of the charade.

The film contains an adultery theme, fleeting scenes of marital sexual activity, some of it potentially aberrant, and much profane and rough language. The Catholic News Service classification is L, limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R.

 

Jensen is a guest reviewer for Catholic News Service.

 

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